Judith Favor

Author

Touchstones: “Generational Pain”

By

photo of a Flagstone pathway in a graphic frame

Dear Readers Who Write,
Generational pain prompted my first two books, The Edgefielders: Poor Farm Tales of a Great-Grandmother and Silent Voices. The discipline of discovery writing gave me tools to explore the mysterious forces that tear families apart and the ties that bind families together.
Novels by contemporary authors are reminders that you and I do need not bear generational pain alone. Current fictional favorites include:

  • The Other Americans by Laila Lalami
  • World Light by Halldor Laxness
  • Love by Toni Morrison
  • Gonzalez & Daughter Trucking Co. by Maria Amparo Escandon
  • Mink River by Brian Doyle
  • Take One Candle, Light a Room by Susan Straight

The colorful characters in my four Beacons novels also support readers who may feel alone in bearing generational pain. Love stories & family sagas forge strong connections with readers, despite diversities of race, religion, class and gender identity. Inspiring memoirists include:

  • Living With a Wild God by Barbara Ehrenreich
  • The Divine Dance: The Trinity and Your Transformation by Richard Rohr
  • Joy Unspeakable by Barbara Holmes
  • I Could Tell You Stories by Patricia Hampl
  • Sisterhood Heals: The Transformative Power of Healing in Community by Joy Harden Bradford

“We are nervous beings, in nervous nations, at an increasingly nervous time,” writes Jen Soriano in Nervous: Essays on Heritage and Healing. In the September-October issue of Poets & Writers journal, Soriano’s words shimmer with meaning. “I wrote this” she says, “ … for pearls in their shells seeking conditions to shine. My story is just one ripple in an emerging ecosystem of interdependence, where we don’t have to bear generational pain alone.”

Whose writing helps you bear generational pain?

by Judith Wright Favor

Touchstones: “Hush”

By

photo of a Flagstone pathway in a graphic frame

Dear Friends Who Read,
Hush and I have a long relationship. When I was very young, we met in Grandma’s lap. “Hush now, hush” she would whisper, warm breath tickling my tiny ear. “Hush, little one, hush.” Eventually I learned to hush myself into a receptive state of stillness. Over time, meditation and prayerfulness deepened my practice. Be still and know. When Hush is good, it is very good. And we want it to be good for others.
I heard too much creative clamor when I started working on The Beacons of Larkin Street, my first novel. My mind was cluttered with ideas and desires, opinions and emotional reactions. Soon the fictional characters began to introduce themselves

  • Lesbian Beka and married Dot arrive fully embodied as a white researcher and a black social worker.
  • Transgender Paige communes with angels, saints and mystics.
  • Widows Hope and Rev Ruth long for connection, seeking to open the author’s heart to their sorrows.
  • Haitian immigrant Millienne prays with her bare feet on Mother Earth.
  • Undocumented Luz suffers in silent misery, unable to bear telling God what is happening to her on streets of San Francisco.
  • Caro from Cleveland brings charisma, addictions and lust to the Haight Ashbury.
  • Arsonist Red aches from maternal neglect and yearns to belong at Saint Lydia’s.
  • They all seemed to know something I did not yet know.
  • All these females need safety to express their truths. How could I protect their vulnerable voices from my authorly intrusion?

The Hush helps me figure it out. Someone said people make the path by walking. Authors say writers make the path by writing. My inner voice says hushing is the path to the heart of my novels. The Beacons and the Rev help me figure out what is useful and what isn’t. First, they say, write up a storm. Set aside the messy first draft, Let the screen of your mind’s eye go blank. Wait receptively. In my busy mind, the Hush creates space for fictional women to articulate hidden traumas, longings and fears.

  • In the Hush, Rev Ruth wrestles with inherited doctrines, gradually discovering which beliefs are false and which ring true.
  • In the Hush, Beka and Dot design an ingenious way to trap and expose their predatory pastor.
  • In the Hush, dialogues between Hope and Rev Ruth, Dot and Beka, Millienne and Paige raise central questions about loss & leadership, faith and practice.
  • In the Hush, Luz heals from sexual abuse by letting the women of Saint Lydia’s care for her traumatized body-mind-heart-soul.
  • In the Hush, Beka and Caro struggle through attraction, betrayal and recovery.
  • In the Hush, Paige befriends firebug Red and assists the congregation in forgiving the girl who torched their sanctuary.

The Hush brings third-person objectivity to a struggling author. Once freed from the weight of my authorly opinions, The Beacons and the Rev showed me a wideness in their path of congregational leadership. These church ladies made the path wide enough to liberate themselves, each other, and females who suffer unjust treatment. In order to hear their truths I had to quiet my own opinions. The Hush gives space for fictional women to reveal when they are fooling themselves and when they are being true to core values as they reckon with the complications of past, present and future.

My four interlocked Beacons novels mirror the racial and gender diversity of church ladies in San Francisco during the 1970s. Earnestly searching for transcendence, the Beacons and the Rev create a sacred chalice for readers, too. Enfolded in the Hush between tensions and conflicts, readers can also grow spiritually alongside the women of Saint Lydia’s. Readers like you can uncover your own interior truths through inward reflection. Some of you already express your faith-based witness through community-based social action. Others are finding your way. Welcome to the Beacons series.

Tenderly,
Judith

by Judith Wright Favor

The Beacons

By

The Beacons of Larkin Street (cover image)SUMMARY

There’s a lot to love about the women of Saint Lydia’s in San Francisco. Head Beacon Beka and her sidekick Dot turned out to be very good at getting rid of a predatory male pastor. Female church leaders were rare in 1976, but they found an ordained woman to shepherd their flock. The five Beacons, their prickly minister and a young Mexican prostitute all took risks, made mistakes and followed their hearts to set a wild new course for their historic interracial, interdenominational congregation in “The City.”

The Beacons reveals the souls of lay leaders, how they sought spiritual guidance, earned the respect they deserved and gained the freedom to run their church in an egalitarian way. Younger readers of diverse ethnicities and orientations will glimpse pioneering feminine faith in action. Older women will almost certainly remember fights for equality during those chaotic 1970s, and San Franciscans will get a fresh view of that infamous era of sex, drugs and rock ‘n roll through the stories of a few memorable Christian visionaries.

BLURBS

Judith Favor offers us a delicious, saucy slice of mid-70s San Francisco. The Beacons provides generous servings of the beautiful city plus a kaleidoscope of characters, lifestyles and spiritual practices.  Deeply textured and finely tuned, this novel crackles with lively energy.

                                                      Mary Atwood, Episcopal priest

It isn’t often that readers interested in religion have a chance to learn about the inner workings of a small but active congregation, especially when the story entails conflicts between clergy and parish leadership.  Judith Favor has beautifully provided such a look with her fictional well-trained older Episcopal priest.  The long-time church “Beacons,” each well-described, struggle with their pro and con emotions while the first-time reverend agonizes over her inability to persuade them to an orthodox faith.  A carefully crafted microcosm of American congregational struggles in our post-Christiandom era.  [Christendom?]

Jean Lesher, religious book editor

Judith Favor has created a delightful gang of deacons here in The Beacons! You will come to know and love them as they grapple with their own psyches, their collective mission, and the evolving conditions of their time and place. The superbly drawn focus of this tale—the trials and tribulations of their courageous choice for replacement priest—rings true and deep, and will leave you hoping for more.

Michael Kirk, artist/designer/editor

Judith Favor’s novel lives next door to Armistead Maupin’s San Francisco of the Seventies. In The Beacons we glimpse a radical Christianity—radical because women took over leadership of an interracial church. Favor gives an insider’s look at what happened in a place few of us have imagined.

 John Brantingham, author of Let Us All Now Pray to Our Own Strange Gods

[John Brantingham’s work has appeared in hundreds of magazines in the United States and England, and his poetry has been featured on Garrison Keillor’s Writer’s Almanac. His other books

READERS’ GROUPS: Some Open-Ended Questions

By

Working Cover Draft for The Beacons, a new novel by Judith Favor

Working Cover Draft for The Beacons
a new novel
by Judith Favor

 

Pick those that spark a strong response in you…

 

 

The GATE: ENTRY POINTS

  • What pulled you into the story; conflict, collaboration or something else?
  • Which character made you care? What about her sparked your interest?
  • Which themes kept your attention?     Say more…
  • Have you ever served on a pastoral search committee? Any regrets?
  • Have you ever made a life-changing decision, only to wind up doubting your own wisdom? Describe a bit about this…

 

The TUNNELS: UNDERNEATH

  • Have you ever been groped? More than once?  What happened?
  • Have you ever confronted a sexual predator? When? Where? How?
  • Have you ever worked with strong women to get rid of a predator, or bring about needed change in your school, church or neighborhood?
  • Have you ever felt oppressed? When? Where? How?
  • Have you ever led a guided tour with someone of a different class, age or place so she could come to appreciate your original neighborhood?

The SHORES: LAND’S END

  • Do you usually say YES or NO when asked to serve in a leadership role? Why or why not?
  • When does the fear of looking bad or sounding stupid keep you from speaking up?
  • How might you rebalance a situation of power-over with someone in a position of authority? What might a power-with situation look like?
  • Do you like the feeling of blood rushing to your head, making everything heightened and fast and wild? Why or why not?
  • What role has the public library played in your intellectual development?

The HILLS: STEEP CLIMBS

  • Tell about a time you challenged authority or witnessed others doing so.
  • Tell about someone you consider a saint? Describe why…
  • Tell about your experience with spiritual-practice circles.
  • Tell about someone you know personally who speaks truth with love.
  • Tell about something that triggers your animosity, maybe aggression.

The PRESIDIO: TRAIPSING

  • For you, is Holy Communion a revered sacrament, an occasional liturgical experience, a paradox, a sacred mystery or something else?
  • For you, is heresy a holy truth, an outmoded concept, a way to separate insiders from outsiders, or something else?
  • For you, is aggression your first response, a rare but useful form of expression, avoided most of the time, abhorrent or something else?
  • For you, which person or situation irritates you like a thorn in the flesh? We aren’t sure what Paul meant by the metaphor; what’s true for you?
  • For you, what emotions rise when you read of a modern woman giving herself a penance or setting out to become a connoisseur of pain?

The BRIDGES: CONNECTING

  • What did you hunger for when you were a teen? And these days?
  • What did you do to ground yourself when you were young? Now?
  • What happens when people share food? How does eating together nourish emotional connections and deepen relationships between folks?
  • What might happen if more transgender folks had a place at the table?
  • What connection do you see between the Beacons’ total acceptance of her and Paige’s capacity to be merciful toward Rev Ruth?

The TENDERLOIN: LURES

  • Have you had personal experience with someone who was lured into the sex trade? Tell what you heard, felt, wanted, said or did…
  • Describe any links and/or tensions you might have experienced between your own emerging sexuality and your developing spirituality.
  • What delights you about San Francisco’s Night Ministry? Discomforts you?
  • How does your own faith community respond to the needs of those who are trapped in prostitution? Poverty?  Madness?
  • Does your town have a Safe House? Do you see the need for one?

The VALLEYS: SHADOWS

  • How is your view of Holy Communion affected when you envision it as Rev Ruth and the Beacons do, as a sacrament of feeding?
  • Have you ever had a crush on someone? Were you aware of God’s Presence with you during the crush, after it was over, now, or never?
  • Have you ever had cancer? Describe your awareness of God during your illness.  Did your connection with Sacred Presence change after cancer?
  • Have you noticed the little phrase AS IT IS midway through The Lord’s Prayer? What might it mean to you now? In the future?
  • Have you ever offered your traumatic memories to Creation for healing? What happened?

The AVENUES: PASSAGES

  • Have you ever feared you were losing your mind? Say more…
  • Nobody likes everyone. Is there one neighbor, one person at church or at work toward whom you feel a puzzling sense of aversion?
  • When have the blues swept over you, and how did you get through it?
  • Imagine yourself yourself sitting in the tableau, silently embodying one of the Twelve Madonnas. What are you wearing? Feeling? Wanting?
  • Have you ever organized a rummage sale or shopped at one? How do you feel about hearing You can’t put a price tag on love, but you can charge a fair price for the accessories? 

The MISSION: ANIMATION

  • Have you ever been blessed by a great kindness, a kind of sunlight?
  • Ever had an intensely lucid moment, a sudden solution to a dilemma? Some call this ‘women’s intuition.’ How do you name it?
  • Have you ever observed someone near and dear, wavering on the edge of cognitive diminishment? Tell about it…
  • Have you ever repeated the name of Jesus to connect with the mysterious power of love embodied in this frail scrap of language?
  • Have you ever sensed the gravitational pull of love while listening to someone’s truth?

The PIERS: SUPPORTS

  • Imagine yourself at the bedside of a loved one, someone who has not yet decided whether to stay alive. What do you say?  Do?  Want?
  • Imagine yourself cleaning house in a flurry of righteous indignation. What do you think?  Feel?  Want?
  • How does angry aggression, when expressed to a trusted person in a safe setting, restore vitality for females?
  • How does voluntary withdrawal from everyday responsibilities help women gain perspective and renew inner strength? Can the same benefits come through involuntary withdrawal?
  • If power is the capacity to move and be moved in relationship, how does Rev Ruth’s illness change power dynamics among the Beacons?

The BEACH: CURRENTS

  • When have you had to put pieces of a challenging situation together without knowing the whole picture?
  • Do you believe it’s possible to have a soul connection with someone who has died? Have you ever received a bit of ancestral guidance?
  • What do you see, hear and feel when you witness flights of expressive imagination in others? How does expressive imagination happen for you?
  • Have you ever gone through a dark night of the soul, a cloudy evening of the soul, or a spiritual rummage sale?
  • How is being socially isolated similar to, or different from, choosing to live in a contemplative way? Does seeking to be rooted and grounded in Love have anything to do with it?

ASKING WRITERS about The Beacons of Larkin Street

By

Working Cover Draft for The Beacons, a new novel by Judith Favor

Working Cover Draft for The Beacons
a new novel
by Judith Favor

 

Reading connects people;
so does writing.

Writing helps clarify ideas,
keep track of details
and discover hidden meanings.

Expressing our truths with love
connects us—physically, mentally,
emotionally and spiritually—
to our readers
and to our deepest selves.

 

We read to know we are not alone.

C.S.Lewis

 

  • The Beacons of Larkin Street is a Nineteen-Seventies historical novel written by a contemplative feminist great-grandmother, an ordained minister who once pastored a church in San Francisco.
  • Where do you see contemplative perspectives influencing the stories? Feminist perspectives?  Grandmotherly points of view?  Ministerly perspectives?
  • Set in San Francisco, twelve aspects of the City structure the novel. What connections do you see between the human characters and the character of San Francisco?
  • Tales of The Beacons move between the perspectives of seven women. Do you find the author’s omniscient POV to be confusing, credible, clear, challenging or something else?
  • If Beka were the sole narrator, the reader would get one singular angle on each character. Do you think Beka’s POV would have strengthened the novel?  Why or why not?
  • If she were the sole voice, Rev Ruth would have told the story very differently. Would you prefer her first-person voice? Why or why not?
  • Which of Rev Ruth’s difficulties as a first-time pastor give you the greatest insight into her character? The most compassion for her?
  • How about Beka’s efforts to guide things as Saint Lydia’s Head Beacon?
  • The seven women have different sexual orientations and diverse attitudes about sexuality and spirituality. Did the author convince you that each is justified in her beliefs and practices?  Why or why not?
  • In Dot and Rev Ruth’s conflict over communion, do you think the resolution took too long, or came too fast? How might you have done it?
  • Who was your favorite character? What about her intrigued you?
  • Which scene was your favorite? What made it memorable?
  • At the end, several story lines are left unresolved. Do you wish the author had resolved the characters’ dilemmas?
  • Do you think Rev Ruth will live or die? Return to guide St. Lydia’s, or go to Cleveland?
  • What do you think will become of Paige? Dot?  Hope and Millienne?  Luz?
  • Are there other subplots you wonder about?
  • This is the first in a trilogy. Which dilemmas and storylines do you most want resolved in a sequel?

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