Judith Favor

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About My Writing

September 2, 2014 By Judith Favor

What would you call this category of writing?
The Edgefielders is my great-grandmother’s hidden story. Public records show only birth, marriage and death dates so I composed a biographical novel to knit imagination into these bare facts. I invented scenes and dialogues to illustrate what happened before and during her four years at Edgefield.

How does imagination work with facts?
Margaret Mary was born in 1869 in rural Ontario and erased from family lore after she died in 1938 at the Multnomah County Poor Farm. I’d not heard of her until Aunt Margo handed me a stack of genealogy documents including a death certificate. Place of Death: Multnomah County Poor Farm. What? How could this be? Who sent my elderly ancestor to an institution for paupers?

Stories hold us together but hers had been deleted. I had to find out, even though it felt risky to probe into family shadows and secrets. Remaining elders had erased memories of Margaret Mary and they resented my questions. Shame went deep, it seemed, the shame of allowing Grandmother to end her life on the dole among strangers. I hate to stir up conflict but could not let this go. Someone had to bring Margaret Mary out of the dark and into the circle of light.

What did you hope to accomplish here?
Beyond telling a good story, my real purpose was to capture the truth of Margaret Mary’s soul and to illustrate the power of mutual spiritual care. The Edgefielders’ tales show how each person – no matter how poor – can contribute to compassion and generosity in the wider community.

And how did you do that?
Soul-seeing is tactile so I sat with my dearly departed ancestor and kept quiet, waiting for “something” to arise. The song of a canary evoked one story. The sensation of fingertips on a tiny golden cross brought forth romance. Cold bacon grease beckoned me into her melancholy, keeping watch with Margaret Mary where “the ocean moaned, tossing eternal waves of sadness against the shore.”

Where do meditation and imagination meet?
In stillness. And in love. Meditation offers a way to be with dread and fury, anxiety and confusion, to stay present to all those vulnerabilities we usually try to avoid. Meditation invites us to see through the surface of things to the light source of everything. Imagination arises from the power of love, the force of love between the generations. In this book, meditative imagination is the active, conscious practice of finding my way – with Margaret Mary – to the heart of Presence and recording what is revealed there.

Image link to Powell's Books The Edgefielders order page

Filed Under: Books, Questions Tagged With: The Edgefielders

Silent Voices

September 2, 2014 By Judith Favor

Silent Voices bookcover image

But this is not the story of a life.
It is the story of lives, knit together,
overlapping in succession, rising
again from grave after grave.
Wendell Berry, from “Rising”

From the start, the stories of Leo James Wright and Cordelia Davis Wright were never solely their own, but continuations of lives that began long before they were born. And how did I come to discover what happened to my grandparents in events preceding my birth? Where does such information come from?

A curious child, I learned to listen between the lines when the Grans spoke, guessing at what they were trying to hide. I watched the way they looked at each other, held my breath during false starts and sudden silences. I waited patiently for bits of truth, sensing emotional codes hidden beneath the social ones, wondering what was beyond regret. I tried to imagine a family where it was safe to ask questions and to tell secrets of the heart, but that was not the world in which I grew up. Leo and Cordelia maintained order through silence. As a young adult I wished I could be part of a less frustrating family, one with fewer conflicts and hurts, maybe one that knew how to have fun. Over the decades I’ve come to realize that most of us cannot go out and form the kind of family we think is ideal. I have had to accept being part of a long chain of wary ancestors. No amount of wishful thinking can change that. Now that I am growing old, I have also grown more curious about genealogy and genetics, more interested in the forces of history, economics and DNA that shaped my forbears. I see this happening all over America, people my age getting interested in family history. You’ve got to start where you are, with the ancestors you’ve been given. So I asked the Grans for their stories. Leo and Cordelia obliged, offering their lives in bits and pieces, hints and glances.

Silent in life, the Grans now rest in eternal stillness, but in these pages they do not stay dead. As far as Ancestry.com is concerned, the lives of Leo and Cordelia Wright are a closed book, but I brought them back from the grave by “hearing them into speech” and composing their stories from a combination of intuition and imagination. Family memoir, like fiction, requires the reader to act as if things really happened this way and each act of reading SILENT VOICES brings Leo and Cordelia Wright back to life. Essayist James Wood terms it “an allowable resurrection” in his New Yorker reflection titled “WHY?” He insists that it’s never too late to listen for untold family stories and to put them on record even if the writer wasn’t there when they happened. I would add that it’s never too late for compassion, either. If a grandchild can offer any gift to her ancestors, let it be an allowable resurrection.

WHAT PEOPLE ARE SAYING ABOUT SILENT VOICES

 “Silent voices” is a fresh idea, a truth-filled story (almost a long parable) inviting us to really listen to our own families.  Judith Wright Favor made the characters real and the times familiar, reawakening details of food, décor and events with my own grandparents.  Not only did I enjoy accompanying her grandparents through their lives, I made mental notes of what I might say if ever I set out on the same journey.  In the family tree, the seven sections, the reminder that the sheriff is fictional, the influence of dogs and birds, this book modeled a way to write about my own grandparents.

Nan Cooney, Grandmother / Author

I enjoyed Silent Voices because I can envision the people while reading it.  I love that about Judith’s writing.  I was glad to know more of the story about how her great grandmother ended up in the poor house, the difficult decision her grandfather had to make, how he and her grandmother had to live with that decision, and how it affected their lives.  I really look forward to reading more books by this author.

Deb Noll, Pastry Chef

 Reading Silent Voices brought to mind my patrician paternal grandparents behind their polished masks, and my maternal grandmother deserted by her philandering husband and left penniless with four young daughters.  Here Judith Wright Favor has dared to inhabit her own grandparents and those with whom their lives intersected, vividly describing and giving voice to the loves and losses that impacted their lives.  Silent Voices is part memoir, part meditation and part masterful story; I think the author has invented a new genre!

John Denham, Pastoral Counselor, Retired

 I was drawn into this story from the beginning.  Having previously read The Edgefielders, the thread that kept drawing me along in Silent Voices was the author’s unspoken hope for her grandparents.  Near the end Cordelia asks herself “How long does hope live?” then responds “For an eternity.”   The Wrights remind me of my grandparents and leads me to reflect on what may be hidden in the crevices of my own family story.

Joan Stock, Spiritual Director

 

 

Do you think about your relatives and wonder what experiences shaped them and contributed to their particular personality characteristics?  In this engaging story Judith Wright Favor has found a way to understand and develop compassion for her kin.  Drawing upon memory, imagination and intuition she gives Leo and Cordelia Wright new life through poignant vignettes in this highly readable memoir.

Judy Leshefka, Meditation Instructor / Psychotherapist

 

Silent Voices gives a glimpse of the lives of a man and a woman, from their difficult early days, to their coming together in the bloom of young adulthood, to raising their family.  The reader is linked to Leo and Cordelia amidst the story of our nation, Depression, WWII and Hiroshima. It is a captivating read.

Peggy Deal Redman, Professor of Education, Emerita

 

 

I saw this as a story of redemption, was very caught up in it and read the book in one sitting.  I appreciated the author’s desire to speak to the silences and secrets of our lives.  Silent Voices is imbued with the person Judith has become, including her spirituality and her understanding of what people do to make meaning from difficult circumstances.

Lynn Rhodes, Seminary Educator

 

Filed Under: Book Reviews, Books Tagged With: Silent Voices

GHOST RANCH AUCTION

August 22, 2014 By Judith Favor

auction14_GhostRanch_smaller
Judith Favor has donated
signed copies of her books.
Please Visit Ghost Ranch
& Donate Generously!

 

Filed Under: Books, Ghost Ranch

The Edgefielders

August 2, 2014 By Judith Favor

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The Edgefielders bookcover imageThe Edgefielders: Poor Farm Tales
of a Great-Grandmother

by Judith Wright Favor (2013)

The Edgefielders tells of a vibrant community of individuals from different cultures and faiths who were forced to live at Oregon’s state-run poor farm during the Great Depression.

Judith Wright Favor, a retired pastor and Portland native, was in mid-life before she came upon a document that shed light upon the dark secret: in 1935 her great grandmother, Margaret Mary Wright, was sent to the poor farm and erased from the family lore. Judith was outraged to learn that her great grandmother died among paupers at Edgefield.

She felt compelled to unravel the mystery. Why did her grandfather commit his mother to a public institution? What were the circumstances that led to this decision? What was Edgefield like during the Depression? Who did Margaret Mary live with in her final home? How did she get along with strangers of different races and religions?

With little to go on but a death certificate, Judith set out to discover the truth. Through the process of contemplative writing, she constructed a fictional story of her lost ancestor intertwined with strands of family memoir. Judith listened for lost experiences, explored layers of inherited guilt and gave voice to women and men whose livelihoods and homes disappeared during the Great Depression.

As the Greatest Generation passes on, stories of the Depression go with them. The Edgefielders: Poor Farm Tales of a Great-Grandmother  keeps these stories alive for future generations.
The times were incredibly difficult, but their fates are not as desperate as you might think. Margaret Mary and her new friends adjusted. Tales of friendship, romance, marriage and even redemption arise from these times of hardship. The Edgefielders bridges this gap, conveying the love of ancestors as it crosses the threshold of time.

Image link to Powell's Books The Edgefielders order pageLook for The Edgefielders, available in print and as an e-book, on CreateSpace and Amazon, or order it from Powell’s!

 

What people are saying about
The Edgefielders …edgefieldersMockover_uprightBold

 

“Sitting on the porch in the spring of 1936, Margaret Mary notices she feels free. Simply free, like seeing the sun after a wild winter storm.” 
Such a sense of “freedom” in a “poor house”
strikes me as an oxymoron. Can one be really free under such dire conditions?   This story is poignant, yet realistic.   It takes sturdy yet delicate writing to capture the challenges of making new friends in old age while wondering about one’s absent family.  This author does a wonderful job describing both!

Joanne Hummel,  Local elementary teacher;  observer of Edgefield Poor Farm for over forty years

This book will be especially compelling for those who  know the importance of shedding light on family secrets,  for readers interested in Oregon’s history, and for those  who are drawn to Edgefield.

Dale Stitt,  co-founder/director

A Journey Into Freedom – “When I listen, my whole life becomes the voice of God,”  says Nurse Rachel.  Judith composed these stories by  listening to her great-grandmother and other inmates as they knitted new lives from tangled ends.  Margaret Mary’s healing begins when a physician honors her goodness and godliness by first sitting with her in stillness, then querying her into self-understanding, strength, and forgiveness.

Charleen Krueger,  Registered Nurse; Knitter

Within a decade or two the Great Depression will no longer be a conscious memory in our country.  We will know it only through the history books. The personal experiences will disappear, except for novels like The Edgefielders. This is a rich and earthy tale of those who came before us.  The author describes the challenges they faced and how they survived that trying time.  This book is reminiscent in time, location, and even style of Denis Johnson’s Train Dreams.

                                                                        Tim Sunderland, Writer

The characters are very engaging.  Vivid descriptions brought them to life; each one has such a gripping story.   I can see how this book could be adapted into a screenplay.  With more development of the characters, it could make an interesting television series. It probably wouldn’t sell on the regular networks but would appeal to a public television audience.

                                            Judy Leshefka, Meditation Instructor

Who would have known that a progressive government in Oregon created this “poor farm” to provide housing and work for people like Judith Favor’s great-grandmother during the Depression after her husband walked out and her children could no longer care for her?

The author paints a vivid picture of friendship, romance, creativity, resilience and the mostly-harmonious blending of religions, races and worldviews in this lovely story of Margaret Mary and the Edgefielders.

                                                Claire Gorfinkel,  Activist, Writer

These stories gave me a chance to vicariously experience living in the Poor House, touching into the hardships, newfound friendships and down-to-earth spirituality of the Edgefielders.  This book is a treasure, offering a glimpse into how freedom is discovered in the most unlikely places.

Barbara P. Anderson, Presbyterian pastor

This beautifully written book, with fully developed characters, is a personal story of life beyond economic loss. How many of us wonder where today’s poor, unemployed people go when they “vanish”?

The wondrous building of relationship between fragile economic survivors described in this book leads me to wonder about today’s homeless shelters.   Unlike Edgefield, shelter placements – when available today – are usually transient.  Thus, in our time, relationships between economically disadvantaged people are sadly transient as well.

In describing a hidden, even shameful, secret about residents at a poor farm from the past, I wonder if the author causes us to reflect on the possibility of the community formed at Edgefield.  This possibility of community is mostly absent in our treatment of the homeless today.

An incredibly good read.

Karen Vance, Kindergarten Master Teacher

 

 

Filed Under: Books Tagged With: The Edgefielders

The Edgefielders – the book

August 1, 2014 By Judith Favor

edgefieldersMockover_lyingdownSliderSize

Filed Under: Books Tagged With: The Edgefielders

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