Judith Favor

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READERS’ GROUPS: Some Open-Ended Questions

January 18, 2017 By Judith Favor

Working Cover Draft for The Beacons, a new novel by Judith Favor

Working Cover Draft for The Beacons
a new novel
by Judith Favor

 

Pick those that spark a strong response in you…

 

 

The GATE: ENTRY POINTS

  • What pulled you into the story; conflict, collaboration or something else?
  • Which character made you care? What about her sparked your interest?
  • Which themes kept your attention?     Say more…
  • Have you ever served on a pastoral search committee? Any regrets?
  • Have you ever made a life-changing decision, only to wind up doubting your own wisdom? Describe a bit about this…

 

The TUNNELS: UNDERNEATH

  • Have you ever been groped? More than once?  What happened?
  • Have you ever confronted a sexual predator? When? Where? How?
  • Have you ever worked with strong women to get rid of a predator, or bring about needed change in your school, church or neighborhood?
  • Have you ever felt oppressed? When? Where? How?
  • Have you ever led a guided tour with someone of a different class, age or place so she could come to appreciate your original neighborhood?

The SHORES: LAND’S END

  • Do you usually say YES or NO when asked to serve in a leadership role? Why or why not?
  • When does the fear of looking bad or sounding stupid keep you from speaking up?
  • How might you rebalance a situation of power-over with someone in a position of authority? What might a power-with situation look like?
  • Do you like the feeling of blood rushing to your head, making everything heightened and fast and wild? Why or why not?
  • What role has the public library played in your intellectual development?

The HILLS: STEEP CLIMBS

  • Tell about a time you challenged authority or witnessed others doing so.
  • Tell about someone you consider a saint? Describe why…
  • Tell about your experience with spiritual-practice circles.
  • Tell about someone you know personally who speaks truth with love.
  • Tell about something that triggers your animosity, maybe aggression.

The PRESIDIO: TRAIPSING

  • For you, is Holy Communion a revered sacrament, an occasional liturgical experience, a paradox, a sacred mystery or something else?
  • For you, is heresy a holy truth, an outmoded concept, a way to separate insiders from outsiders, or something else?
  • For you, is aggression your first response, a rare but useful form of expression, avoided most of the time, abhorrent or something else?
  • For you, which person or situation irritates you like a thorn in the flesh? We aren’t sure what Paul meant by the metaphor; what’s true for you?
  • For you, what emotions rise when you read of a modern woman giving herself a penance or setting out to become a connoisseur of pain?

The BRIDGES: CONNECTING

  • What did you hunger for when you were a teen? And these days?
  • What did you do to ground yourself when you were young? Now?
  • What happens when people share food? How does eating together nourish emotional connections and deepen relationships between folks?
  • What might happen if more transgender folks had a place at the table?
  • What connection do you see between the Beacons’ total acceptance of her and Paige’s capacity to be merciful toward Rev Ruth?

The TENDERLOIN: LURES

  • Have you had personal experience with someone who was lured into the sex trade? Tell what you heard, felt, wanted, said or did…
  • Describe any links and/or tensions you might have experienced between your own emerging sexuality and your developing spirituality.
  • What delights you about San Francisco’s Night Ministry? Discomforts you?
  • How does your own faith community respond to the needs of those who are trapped in prostitution? Poverty?  Madness?
  • Does your town have a Safe House? Do you see the need for one?

The VALLEYS: SHADOWS

  • How is your view of Holy Communion affected when you envision it as Rev Ruth and the Beacons do, as a sacrament of feeding?
  • Have you ever had a crush on someone? Were you aware of God’s Presence with you during the crush, after it was over, now, or never?
  • Have you ever had cancer? Describe your awareness of God during your illness.  Did your connection with Sacred Presence change after cancer?
  • Have you noticed the little phrase AS IT IS midway through The Lord’s Prayer? What might it mean to you now? In the future?
  • Have you ever offered your traumatic memories to Creation for healing? What happened?

The AVENUES: PASSAGES

  • Have you ever feared you were losing your mind? Say more…
  • Nobody likes everyone. Is there one neighbor, one person at church or at work toward whom you feel a puzzling sense of aversion?
  • When have the blues swept over you, and how did you get through it?
  • Imagine yourself yourself sitting in the tableau, silently embodying one of the Twelve Madonnas. What are you wearing? Feeling? Wanting?
  • Have you ever organized a rummage sale or shopped at one? How do you feel about hearing You can’t put a price tag on love, but you can charge a fair price for the accessories? 

The MISSION: ANIMATION

  • Have you ever been blessed by a great kindness, a kind of sunlight?
  • Ever had an intensely lucid moment, a sudden solution to a dilemma? Some call this ‘women’s intuition.’ How do you name it?
  • Have you ever observed someone near and dear, wavering on the edge of cognitive diminishment? Tell about it…
  • Have you ever repeated the name of Jesus to connect with the mysterious power of love embodied in this frail scrap of language?
  • Have you ever sensed the gravitational pull of love while listening to someone’s truth?

The PIERS: SUPPORTS

  • Imagine yourself at the bedside of a loved one, someone who has not yet decided whether to stay alive. What do you say?  Do?  Want?
  • Imagine yourself cleaning house in a flurry of righteous indignation. What do you think?  Feel?  Want?
  • How does angry aggression, when expressed to a trusted person in a safe setting, restore vitality for females?
  • How does voluntary withdrawal from everyday responsibilities help women gain perspective and renew inner strength? Can the same benefits come through involuntary withdrawal?
  • If power is the capacity to move and be moved in relationship, how does Rev Ruth’s illness change power dynamics among the Beacons?

The BEACH: CURRENTS

  • When have you had to put pieces of a challenging situation together without knowing the whole picture?
  • Do you believe it’s possible to have a soul connection with someone who has died? Have you ever received a bit of ancestral guidance?
  • What do you see, hear and feel when you witness flights of expressive imagination in others? How does expressive imagination happen for you?
  • Have you ever gone through a dark night of the soul, a cloudy evening of the soul, or a spiritual rummage sale?
  • How is being socially isolated similar to, or different from, choosing to live in a contemplative way? Does seeking to be rooted and grounded in Love have anything to do with it?

Filed Under: Book Reviews, Books, Questions Tagged With: The Beacons

ASKING WRITERS about The Beacons of Larkin Street

January 18, 2017 By Judith Favor

Working Cover Draft for The Beacons, a new novel by Judith Favor

Working Cover Draft for The Beacons
a new novel
by Judith Favor

 

Reading connects people;
so does writing.

Writing helps clarify ideas,
keep track of details
and discover hidden meanings.

Expressing our truths with love
connects us—physically, mentally,
emotionally and spiritually—
to our readers
and to our deepest selves.

 

We read to know we are not alone.

C.S.Lewis

 

  • The Beacons of Larkin Street is a Nineteen-Seventies historical novel written by a contemplative feminist great-grandmother, an ordained minister who once pastored a church in San Francisco.
  • Where do you see contemplative perspectives influencing the stories? Feminist perspectives?  Grandmotherly points of view?  Ministerly perspectives?
  • Set in San Francisco, twelve aspects of the City structure the novel. What connections do you see between the human characters and the character of San Francisco?
  • Tales of The Beacons move between the perspectives of seven women. Do you find the author’s omniscient POV to be confusing, credible, clear, challenging or something else?
  • If Beka were the sole narrator, the reader would get one singular angle on each character. Do you think Beka’s POV would have strengthened the novel?  Why or why not?
  • If she were the sole voice, Rev Ruth would have told the story very differently. Would you prefer her first-person voice? Why or why not?
  • Which of Rev Ruth’s difficulties as a first-time pastor give you the greatest insight into her character? The most compassion for her?
  • How about Beka’s efforts to guide things as Saint Lydia’s Head Beacon?
  • The seven women have different sexual orientations and diverse attitudes about sexuality and spirituality. Did the author convince you that each is justified in her beliefs and practices?  Why or why not?
  • In Dot and Rev Ruth’s conflict over communion, do you think the resolution took too long, or came too fast? How might you have done it?
  • Who was your favorite character? What about her intrigued you?
  • Which scene was your favorite? What made it memorable?
  • At the end, several story lines are left unresolved. Do you wish the author had resolved the characters’ dilemmas?
  • Do you think Rev Ruth will live or die? Return to guide St. Lydia’s, or go to Cleveland?
  • What do you think will become of Paige? Dot?  Hope and Millienne?  Luz?
  • Are there other subplots you wonder about?
  • This is the first in a trilogy. Which dilemmas and storylines do you most want resolved in a sequel?

Filed Under: Book Reviews, Books, Questions Tagged With: The Beacons, writing

About My Writing

September 2, 2014 By Judith Favor

What would you call this category of writing?
The Edgefielders is my great-grandmother’s hidden story. Public records show only birth, marriage and death dates so I composed a biographical novel to knit imagination into these bare facts. I invented scenes and dialogues to illustrate what happened before and during her four years at Edgefield.

How does imagination work with facts?
Margaret Mary was born in 1869 in rural Ontario and erased from family lore after she died in 1938 at the Multnomah County Poor Farm. I’d not heard of her until Aunt Margo handed me a stack of genealogy documents including a death certificate. Place of Death: Multnomah County Poor Farm. What? How could this be? Who sent my elderly ancestor to an institution for paupers?

Stories hold us together but hers had been deleted. I had to find out, even though it felt risky to probe into family shadows and secrets. Remaining elders had erased memories of Margaret Mary and they resented my questions. Shame went deep, it seemed, the shame of allowing Grandmother to end her life on the dole among strangers. I hate to stir up conflict but could not let this go. Someone had to bring Margaret Mary out of the dark and into the circle of light.

What did you hope to accomplish here?
Beyond telling a good story, my real purpose was to capture the truth of Margaret Mary’s soul and to illustrate the power of mutual spiritual care. The Edgefielders’ tales show how each person – no matter how poor – can contribute to compassion and generosity in the wider community.

And how did you do that?
Soul-seeing is tactile so I sat with my dearly departed ancestor and kept quiet, waiting for “something” to arise. The song of a canary evoked one story. The sensation of fingertips on a tiny golden cross brought forth romance. Cold bacon grease beckoned me into her melancholy, keeping watch with Margaret Mary where “the ocean moaned, tossing eternal waves of sadness against the shore.”

Where do meditation and imagination meet?
In stillness. And in love. Meditation offers a way to be with dread and fury, anxiety and confusion, to stay present to all those vulnerabilities we usually try to avoid. Meditation invites us to see through the surface of things to the light source of everything. Imagination arises from the power of love, the force of love between the generations. In this book, meditative imagination is the active, conscious practice of finding my way – with Margaret Mary – to the heart of Presence and recording what is revealed there.

Image link to Powell's Books The Edgefielders order page

Filed Under: Books, Questions Tagged With: The Edgefielders

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